| I find the publisher's claim that this game has educational
value to be the most absurd, but least challenged aspect of the discussion.
The whole notion that one can receive an education from games or movies
seems rather questionable. Unfortunately, the label "educational"
has become so cheapened that it is commonly applied to any movie or
game that is based on actual events and contains at least a few random
facts.
The game's authors assert that this game validates the Warren commission
and proves that Oswald acting alone could have killed Kennedy, and
claim that it will settle the debate once and for all. It will do no such
thing, of course.
In fact, many computer simulations of the event have already been
made. Each simulation contains hundreds of subtle biases and assumptions,
and they have already been used to prove both sides of the argument.
No new ground is being broken here.
This game does no more prove the Warren Commission's findings than
Oliver Stone's movie did to disprove them. In fact, it is hard to
imagine what students of history could possibly learn by peering
down the simulated riflescope. Those seeking education would do better
to consult some of the hundreds of books and articles written about
the event itself and the subsequent investigations.
So what exactly, are we to make of JFK Reloaded? It has no educational
value to speak of, and as a game it's neither particularly entertaining
nor engaging. But, as I mentioned before, this software was not
designed to be a game. In fact, Traffic Games never even bothered to seek
retail distribution.
JFK Reloaded is best viewed as a kind of performance art. (Readers
who have seen modern performance art will understand that this is not
a complement.) The software is a play in one act that exists only
to generate controversy about its existence. If JFK Reloaded had
significant entertainment or educational value, sequels would be
forthcoming. Thankfully, however, neither Lincoln Reloaded nor Gandhi
Reloaded will be appearing anytime soon. The media has no interest
in Act Two, and they are the only ones that matter.
Traffic Games is profiting not by cynically exploiting the assassination
of a president, but by cynically exploiting the media's constant
need to manufacture controversy and our own acceptance of and fascination
with such media fabrications.
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